Hej There,
Volvo EX90 Launch
The safest car in Volvo’s history, the company’s biggest launch and a new era for electric transportation. The launch of the Volvo EX90 included design, story, and architecture.
Phase: Tease
To tease and build anticipation around the launch of the Volvo EX90, a series of in-camera photographic techniques were developed to abstract the car from full view. Scandinavian winter light and a new dawn for Volvo inspired the colour palette and lighting. Photographs in collaboration with Marvin Leuvrey.
Phase: Launch event
In the darkness of Sweden's winter, we rose a monument of light with the new Volvo as its beating heart. A physical shield of safety powered by the same LiDAR technology found in the car demonstrated the car's ability to sense its surroundings in real time. Welcoming visitors with glowing light, grew stronger as they moved closer to the car.
Inside, the structure would host a live-streamed launch event, a series of interactive installations illustrating key features and open days allowing the public to meet the Volvo EX90.
The structure was designed in close collaboration with Universal Design Studio.
I led the creative direction for a series of feature-focused animations and infographic sequences, developed in collaboration with ManvsMachine, to visualise key features and unpack the innovations of the EX90 showcased during the event.
Following the event, a communications campaign introduced the EX90 to a global audience. It started with the car personally introducing itself through its charming welcome sequence with two winking headlights, before a series of visually arresting films followed, where the new flagship SUV presented its key features.
Set to a re-recording of the song ‘New World Coming’ – originally released in 1970 and now performed by Gothenburg native Augustine – the campaign spoke about a new era for Volvo Cars, and a new era for safety, through the release of the EX90.
Hej There,
Volvo EX90 Launch
The safest car in Volvo’s history, the company’s biggest launch and a new era for electric transportation. The launch of the Volvo EX90 included design, story, and architecture.
Phase: Tease
To tease and build anticipation around the launch of the Volvo EX90, a series of in-camera photographic techniques were developed to abstract the car from full view. Scandinavian winter light and a new dawn for Volvo inspired the colour palette and lighting. Photographs in collaboration with Marvin Leuvrey.
Phase: Launch event
In the darkness of Sweden's winter, we rose a monument of light with the new Volvo as its beating heart. A physical shield of safety powered by the same LiDAR technology found in the car demonstrated the car's ability to sense its surroundings in real time. Welcoming visitors with glowing light, grew stronger as they moved closer to the car.
Inside, the structure would host a live-streamed launch event, a series of interactive installations illustrating key features and open days allowing the public to meet the Volvo EX90.
The structure was designed in close collaboration with Universal Design Studio.
I led the creative direction for a series of feature-focused animations and infographic sequences, developed in collaboration with ManvsMachine, to visualise key features and unpack the innovations of the EX90 showcased during the event.
Following the event, a communications campaign introduced the EX90 to a global audience. It started with the car personally introducing itself through its charming welcome sequence with two winking headlights, before a series of visually arresting films followed, where the new flagship SUV presented its key features.
Set to a re-recording of the song ‘New World Coming’ – originally released in 1970 and now performed by Gothenburg native Augustine – the campaign spoke about a new era for Volvo Cars, and a new era for safety, through the release of the EX90.
Multidisciplinary creative and art director, driven by a commitment to contribute towards contemporary culture. Working in visual storytelling across the mediums of photography, motion and editorial design.
I care about ideas that move people. Work that says something, shifts perspective, and leaves a lasting feeling. Guided by curiousity and an ambition to produce truly original work and push brands into unexplored territories. With experience in both editorial and agency enviroments, I’m able to effectively respond to briefs and work quickly to connect the dots between project ideation, production and outcome.
Audemars Piguet
Adidas
Aldar
Burberry
De Beers
Leica
Nike
Porsche
Rolls-Royce
Richard Mille
Volvo
Vice
AKQA
The New York Times
&Walsh
Virtue Worldwide/Vice Media
Selam X
Hubert & Fischer Studio
HarrimanSteel
Work mentioned in
Clients
Audemars Piguet
Adidas
Aldar
Burberry
De Beers
Leica
Nike
Porsche
Rolls-Royce
Richard Mille
Volvo
Vice
Multidisciplinary creative and art director, with experience in both editorial and agency sectors, driven by a commitment to contribute towards contemporary culture. Working in visual storytelling across the mediums of photography, motion and editorial design.
Previously
AKQA
The New York Times
&Walsh
Virtue Worldwide/Vice Media
Selam X
Hubert & Fischer Studio
HarrimanSteel
Work mentioned in
Clients
Audemars Piguet
Adidas
Aldar
Burberry
De Beers
Leica
Nike
Porsche
Rolls-Royce
Richard Mille
Volvo
Vice
Multidisciplinary creative and art director, with experience in both editorial and agency sectors, driven by a commitment to contribute towards contemporary culture. Working in visual storytelling across the mediums of photography, motion and editorial design.
Previously
AKQA
The New York Times
&Walsh
Virtue Worldwide/Vice Media
Selam X
Hubert & Fischer Studio
HarrimanSteel
Work mentioned in
Clients
Audemars Piguet
Adidas
Aldar
Burberry
De Beers
Leica
Nike
Porsche
Rolls-Royce
Richard Mille
Volvo
Vice
A multidisciplinary art director, designer and creative consultant driven by a commitment to contribute towards contemporary culture. Specialising in visual storytelling across the mediums of photography, motion, and editorial design, with extensive experience within the luxury lifestyle and automotive arena.
lobina.fernando@gmail.com
LinkedIn, Instagram.
Full CV and PDF Portfolio also available.
Currently Senior Designer / Art Director at AKQA London. I have previously worked in design and art direction positions at The New York Times, &Walsh, Virtue Worldwide, Herbert & Fischer Studio, Selam X, and HarrimanSteel. I also work on ongoing independent creative projects in the worlds of image direction, editorial, and brand design.
Working with clients such as a Audemars Piguet, Adidas, Burberry, De Beers, Leica, Nike, Porsche, Rolls-Royce, Volvo
Mentions
Ad Age
Ad Week
Auto Express
ID Magazine
Its Nice That
Red Dot Design Awards
Tech Crunch
The Guardian
The Verge
Top Gear
Multidisciplinary art director and designer, driven by a commitment to contribute towards contemporary culture.
Specialising in visual storytelling across the mediums of photography, motion, and editorial design, Fernando has extensive experience within the luxury lifestyle and automotive arena.
Currently:
Senior Designer/ Art Director, AKQA
Previously:
The New York Times
&Walsh
Virtue Worldwide
Hubert & Fischer Studio
Selam X
Harriman Steel
Recognition:
Ad Age
AdWeek
Auto Express
ID Magazine
It's Nice That
Tech Crunch
The Guardian
The Verge
Top Gear
Multidisciplinary art director and designer, driven by a commitment to contribute towards contemporary culture.
Specialising in visual storytelling across the mediums of photography, motion, and editorial design, Fernando has extensive experience within the luxury lifestyle and automotive arena.
Currently:
Senior Designer/ Art Director, AKQA
Previously:
The New York Times
&Walsh
Virtue Worldwide
Hubert & Fischer Studio
Selam X
Harriman Steel
Recognition:
Ad Age
AdWeek
Auto Express
ID Magazine
It's Nice That
Tech Crunch
The Guardian
The Verge
Top Gear